Yes, it was true. It must have been the beginning of all things. Man, pitiless, deaf, blind, groping in the darkness, knowing not even himself. And to her vision, far off, out of the mist, he shaped himself before her: that dim, first standard-bearer of the Lord, the man who first felt pity. Savage, brutish, dumb—lonely there amid the desolation, staring down at some hurt creature, man or beast it mattered not, his dull eyes troubled with a strange new pain he understood not. “Oh, a little,” she answered. “He’s absolutely sincere; and he means business. He won’t stop at the bottom of the ladder now he’s once got his foot upon it.”!

“It’s all right,” answered Madge. “She doesn’t really want our opinion of him—or rather she doesn’t want our real opinion of him. She only wants us to confirm hers. She’s engaged to him.” Mrs. Denton’s friends called upon her, and most of them invited her to their houses. A few were politicians, senators or ministers. Others were bankers, heads of business houses, literary men and women. There were also a few quiet folk with names that were historical. They all thought that war between France and England would be a world disaster, but were not very hopeful of averting it. She learnt that Carleton was in Berlin trying to secure possession of a well-known German daily that happened at the moment to be in low water. He was working for an alliance between Germany and England. In France, the Royalists had come to an understanding with the Clericals, and both were evidently making ready to throw in their lot with the war-mongers, hoping that out of the troubled waters the fish would come their way. Of course everything depended on the people. If the people only knew it! But they didn’t. They stood about in puzzled flocks, like sheep, wondering which way the newspaper dog was going to hound them. They took her to the great music halls. Every allusion to war was greeted with rapturous applause. The Marseillaise was demanded and encored till the orchestra rebelled from sheer exhaustion. Joan’s patience was sorely tested. She had to listen with impassive face to coarse jests and brutal gibes directed against England and everything English; to sit unmoved while the vast audience rocked with laughter at senseless caricatures of supposed English soldiers whose knees always gave way at the sight of a French uniform. Even in the eyes of her courteous hosts, Joan’s quick glance would occasionally detect a curious glint. The fools! Had they never heard of Waterloo and Trafalgar? Even if their memories might be excused for forgetting Crecy and Poictiers and the campaigns of Marlborough. One evening—it had been a particularly trying one for Joan—there stepped upon the stage a wooden-looking man in a kilt with bagpipes under his arm. How he had got himself into the programme Joan could not understand. Managerial watchfulness must have gone to sleep for once. He played Scotch melodies, and the Parisians liked them, and when he had finished they called him back. Joan and her friends occupied a box close to the stage. The wooden-looking Scot glanced up at her, and their eyes met. And as the applause died down there rose the first low warning strains of the Pibroch. Joan sat up in her chair and her lips parted. The savage music quickened. It shrilled and skrealed. The blood came surging through her veins.

After the coffee, Mrs. Phillips proposed their adjourning to the “drawing-room” the other side of the folding doors, which had been left open. Phillips asked her to leave Joan and himself where they were. He wanted to talk to her. He promised not to bore her for more than ten minutes. “Did you talk it over with her?” asked Joan. “You won’t mind my running away for a minute,” she said. “I shall only be in the next room.”